Hermitage
Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.
Description: Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.
Genres: Drama, Romance
Budget: $0 | Revenue : $0
Runtime: 24 minutes
Our Lady of the Turks
Satan Bouche un Coin
Return
Return
Return
Darkland: The Return
Secrets of Palace coup d'etat. Russia, 18th century. Film №5. Second Bride Emperor
Return
RETURN
Alienoid: Return to the Future
Carmelo Bene
Played The Man
Lydia Mancinelli
Played The Woman
Backdrops
Posters
Logos
No artwork found